Story99.com is a Branding & Storytelling Consultancy for B2B, Tech & Deeptech

You can upload the photo of the person you want on the poster and then use any of the prompts below to get these variety of visual styles [we will keep adding more]:

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Neo-Dada Techno Collage

Create a dense mixed-media editorial portrait collage using a recognizable photographic face as the central anchor, but rebuild the surrounding image from layered fragments of photocopies, torn paper, halftone printing, graph paper, technical diagrams, maps, architectural imagery, scientific illustrations, handwritten notes, scribbles and abstract patterns. Break parts of the face into horizontal or irregular collage sections, allowing some areas to shift colour or texture while remaining clearly recognizable. Use a raw, restricted-but-punchy palette of black, grey, dirty white, vivid red, magenta, turquoise, olive and occasional mustard, with colours appearing as flat screen-printed overlays rather than smooth shading. Add honeycomb grids, fingerprints, contour maps, geometric constructions, orbital diagrams, circles, taped scraps, rough brush marks and fragments of handwritten or typewritten language. Let patterns and documentary imagery overlap the shoulders, face and background, creating a visually busy but intentional composition. Preserve visible paper fibres, photocopy noise, torn edges, ink bleed, coarse dots, scratches and imperfect registration throughout. The result should feel like Dada photomontage, punk zine culture, experimental scientific notebooks and contemporary editorial design smashed together—intellectual, chaotic, tactile, rebellious and highly layered. Avoid glossy digital polish, 3D effects, gradients or clean vector precision; it should look physically cut, printed, drawn, taped and assembled by hand.

Name: Constructivist Torn-Paper Portrait

Create a handmade editorial portrait collage built from a high-contrast black-and-white photographic face, printed with coarse halftone grain and cut into several slightly misaligned horizontal fragments. Reassemble the portrait over a muted slate-blue paper background using layers of torn cream book pages, black paper scraps, mustard-yellow rectangles, circles and narrow strips. Add small ransom-note-style letter tiles, fragments of typewritten or printed text, rough arrows, dashed marks and simple geometric symbols. Let some paper pieces overlap the face while others sit behind it, with visible torn fibres, creases, wrinkles, glue-like overlaps and uneven cut edges. Keep the palette extremely restricted to black, aged cream, dusty blue and mustard yellow, with no gradients or glossy effects. The composition should feel asymmetric, tactile and deliberately imperfect, drawing from Soviet Constructivist graphics, Dada photomontage, old poetry books and handmade punk zines. Avoid polished digital collage, smooth vector forms or decorative excess; make it feel physically assembled from photocopies, old paper, scissors and glue.

Minimal Editorial Cutout Collage

Create a minimal editorial portrait collage centered on a clean black-and-white photographic cutout of the subject, rendered with subtle halftone grain, photocopy texture and slightly imperfect printed edges. Place the portrait relatively small within a large warm off-white canvas, leaving abundant negative space around it. Build a restrained graphic environment using a few simple elements: muted paper rectangles, thin hand-drawn horizontal lines, dotted circles, striped semicircles, tiny halftone panels, outlined boxes and 2–3 small speech-bubble icons. Use a very limited accent palette of mustard yellow, brick red, dusty indigo and warm beige, while keeping the portrait itself monochrome. Arrange the shapes asymmetrically around and partially behind the subject, with careful overlap and plenty of breathing room. Keep the graphics flat, geometric and lightly textured rather than glossy or dimensional. The overall feel should be modern editorial illustration crossed with mid-century print design and contemporary corporate magazine art—smart, understated, tactile and clean. Avoid dense collage, dramatic paint effects, gradients, 3D rendering or excessive decoration; prioritize simplicity, balance, quiet visual rhythm and generous white space.

Archival Identity Collage

Create a restrained mixed-media editorial portrait built from a high-contrast black-and-white photographic subject, printed with coarse halftone, photocopy grain and imperfect ink texture on warm grey recycled paper. Integrate the portrait with fragments of old maps, newspaper columns, passport stamps, fingerprints, ticket numbers, archival labels, torn documents, postage marks, coordinates and typewritten notes, allowing several elements to overlap the body like pasted ephemera. Use an extremely limited palette of black, dirty white, kraft-paper grey and one faded rust-red accent. Add sparse hand-drawn registration marks, Xs, arrows, boxes, measurement lines and small technical annotations around the composition. Introduce one or two oversized pale numerals or letters in the background as quiet structural elements. Keep edges torn, misaligned and visibly handmade, with scratches, folds, faded ink, paper fibres and rough print imperfections. The composition should feel documentary, archival and investigative rather than decorative—like an immigration file, field notebook, old newspaper archive and independent art-book collage merged into a contemporary editorial poster. Avoid bright colours, smooth digital effects, glossy photography or dense ornamentation; keep it minimal, tactile, monochromatic, asymmetric and quietly graphic.

Name: Gritty Pop Risograph Portrait

Create a bold retro editorial portrait that combines a recognizable photographic face with screen-print, risograph and punk-zine aesthetics. Reduce the portrait into a high-contrast black halftone image with visible dot patterns, rough ink breakup and photocopy grain, then overprint it with a very limited palette of mustard yellow, hot pink, black and off-white. Place the subject against a large flat colour block and add irregular hand-drawn sunbursts, thick marker scribbles, looping linework, stars, globes, abstract symbols, chunky geometric shapes and crude graphic marks around and across the portrait. Use condensed sans-serif typography, small labels and occasional handwritten words as part of the composition, but keep them secondary to the face. Allow colours to misregister slightly, overlap imperfectly and bleed through the photographic texture. Add paper creases, worn ink, scratches, speckles and distressed print artefacts throughout. Keep the composition flat, graphic, energetic and deliberately rough, like a 1990s football fanzine crossed with a risograph gig poster and contemporary streetwear editorial. Avoid smooth gradients, polished digital effects, realistic lighting or clean vector precision; everything should feel printed, tactile, noisy and handmade.

Pop-Editorial Paint Collage

Create a mixed-media editorial portrait that combines a recognizable photographic face with expressive hand-painted marks, torn-paper collage, typography and bold graphic shapes. Keep the face relatively realistic and sharply recognizable, but partially repaint it with broad, imperfect brush strokes in hot pink, mustard yellow, orange, cobalt blue, muted teal and black, allowing patches of the original skin and photographic texture to remain visible. Surround and overlap the portrait with loose black gestural lines, scribbles, paint swashes, geometric colour fields, halftone dots, striped patterns, fragments of printed paper, cropped words, small serif typography and handwritten annotations. Use an off-white textured paper background with visible grain, ink imperfections, rough edges, misregistration and analogue print distress. Let some graphic elements sit behind the subject while others cut boldly across the face, shoulders and clothing. Keep the composition energetic, asymmetrical and layered, like a fashion magazine cover crossed with an art-school collage, screen print and contemporary painting. Avoid polished vector cleanliness, smooth gradients or photorealistic finishing; the image should feel handmade, tactile, spontaneous, colourful and slightly chaotic, while the face remains the clear visual anchor.

Name: Surreal Mechanical Cut-Paper Portrait

Create a surreal mixed-media editorial portrait using a black-and-white photographic face as the anchor, treated like a hand-cut paper collage on aged, warm-grey paper. Break the head and body into irregular torn or scissor-cut photographic fragments, with parts of the skull opened, shifted, or removed to reveal a dense imaginary machine inside: hand-drawn gears, pulleys, wheels, wires, pipes, ladders, levers, horns, arrows, and strange mechanical contraptions. Mix grainy photocopied photography, charcoal smudges, pencil and ink linework, imperfect cut-paper edges, faded print textures, and distressed newspaper-like marks. Keep the machinery deliberately naive and hand-drawn rather than technically accurate. Use mostly black, grey, cream and faded paper tones, with only one or two restrained accents such as muted olive green or vivid red. Leave generous areas of raw paper visible and add occasional cryptic letters, tiny typewritten words, diagram numbers or handwritten annotations. The result should feel like a 1950s experimental psychology diagram crossed with Dada collage, an old engineering notebook and a handmade art-school zine—intellectual, absurd, tactile, slightly unsettling and visibly analogue rather than polished or digital.

High-Contrast Techno-Editorial Collage

Create a high-impact contemporary editorial poster combining a large black-and-white photographic portrait with layered architectural, technology, and documentary imagery. Use an oversized human profile as the dominant composition, with smaller monochrome photographs embedded into and overlapping the face and body like a fragmented double exposure. Build the image from sharp rectangular crops, translucent panels, thin technical grid lines, interface-like markings, tiny data patterns, and irregular geometric blocks. Use an extremely restricted palette of black, off-white, grayscale, and one vivid signal colour such as electric yellow. Let the accent colour appear in a few bold rectangles, thin rules, image overlays, and one key typographic element. Keep the background mostly clean and pale, while allowing one side of the portrait to dissolve into dense black. Use strong asymmetry, deliberate cropping, overlapping layers, partial transparency, hard edges, and controlled visual noise. Typography should feel like a premium technology or architecture magazine: clean neo-grotesk sans serif, small widely spaced uppercase branding, compact editorial copy, and one huge custom geometric wordmark/headline near the bottom. Mix photographic realism with Swiss-modernist grid discipline, cinematic contrast, digital glitch fragments, and investigative-journalism collage. The finished poster should feel intelligent, expensive, futuristic, institutional and slightly severe — not cyberpunk, not glossy sci-fi, and not cluttered.

Subscribe to https://learnstory99.substack.com/subscribe where we notify you when we update our existing frameworks and insights around storytelling, marketing and brand-building.

Story99.com is a Branding & Storytelling Consultancy for B2B, Tech & Deeptech